Is there something wrong with me?

So, I have a colleague who also teaches Creative Writing, and he told me of a very interesting questions one of his students asked him the other day. The kid, according to him, seems like a very passive, mild, sweet student, but she writes really dark, violent fiction.

My kind of girl, y'know?

And yet, she says people are telling her she belongs in a mental hospital because there's something wrong with her to come up with this stuff. Some of the ones telling her this are related to her.


Seriously.


Now, I haven't read any of her work, but my friend has read mine and says the kid's work is no darker, just a little more gore in some places. So who the fuck is telling this kid something's wrong with her?

Does that mean there's something wrong with me? I've got four very different stories out there, and each of them has something dark in it. Does that mean I'm crazy too? (Okay, ignore that one, I am)

Look, I'm all for a sense of propriety here. There are some truly sick people out there, and I condemn them for their acts. But that's just it...they are ACTS. Hell, Eminem says some pretty offensive shit in his music, but until he actually BECOMES a rapist in a Jason mask, I'm not going to sit here and tell you he's certifiable. And I damn sure wouldn't if I was RELATED to him. (He might come after me, if nothing else).

But hey, I'm very biased, so let's hear it from you guys. Are the "violent crime" writers among us truly sick in the head, or do some folks just need to remove the holier-than-thou stick before they sit down next time?

"Hey mom! So, about that story..."

That was a weird conversation to have. My family knows how much I love them. They know how badly I want to be a novelist some day. And I got my first official publishing credit this week.

So I had to call them and tell them not to read it.

See what I mean about weird?

Thing is, the story is noir. It's not over-the-top, but it's a bit strong for most of my family. Even my wife was like, "Good story, but the language and stuff was a bit much for me."

So there I am emailing and calling and saying, "Hey, I'm published!! ....uh, no, I can't tell you where...well, 'cause I don't think you'll feel very good about me when you've read it. But I'm really happy to have it out there with my name on it!!"

Yeah, I know, it's probably just me.

Still, what about you? I'm a crime fiction writer, so most of my stuff will follow some pretty twisted paths. Some of it I'm fine with my folks reading, some of it not so much. Do you have anything out there like that? Or anything unpublished that you hide away and hope no one ever sees that that kind of stuff exists in your head?

Or is it just me?
God...imagine if the parents of some of my students read it...(evil chuckle)

"And I, I want to thank you..."

Last night was very cool for me. I met one of all-time favorite authors last year; a man whose work I hope mine might one day be compared favorably (it ain't there yet, I know that for sure). For those who don't know of Jeffery Deaver, you are missing out. Go out and read one of his books. NOW. I'll wait.

Back? Okay, good.

So anyway, I met him at the Barnes & Noble in Chapel Hill while he was on book tour for THE SLEEPING DOLL. I told him how encouraging it was to have read THE EMPTY CHAIR, because it told me people would buy thrillers based in North Carolina, which is what I hoped to write. He gave me some encouraging words and signed my copy of his book. I went home happy and, of course, loved the new book immensely. I also went to see Michael Connelly a few days later, another great writer to whom I would love to someday be compared, and he gave me encouragement and a metaphor for writing that I'll never forget. Both were great experiences for me personally.

Flash forward to last night. Mr. Deaver's on book tour again, this time for THE BODIES LEFT BEHIND, and I went to get his latest and have him sign it (this time the Raleigh B&N, btw). And he recognized me.


Let me say that again: A NYT Bestseller I met and spoke to for less than five minutes recognized me a year later.

Now, let's be honest here. I said it was nice to see him again, and when he said, "I thought I recognized you," I sorta filled in the gaps (eager dork that I am). So he could have been playing it off just to be nice.


Doesn't matter. That was still a very cool thing for him to do, and I will always remember it. He congratulated me on the story (yep, I told him. couldn't help it). It was just a great experience.

Which brings me to my point, if you couldn't figure it out. I'm not asking a question today, I'm just giving you guys an opportunity. I am routinely amazed and humbled by how open and friendly and helpful and encouraging the Mystery Communmity is to its readers (aspiring writer or no). And that goes for the mid-list authors and the big name bestseller alike. They are all even more gracious and giving than you could ever imagine.

So, this post, and the comments section, is for anyone who'd like to to say thanks...be it readers to writers or writers to readers. Mystery Community Group Hug, I s'pose.

"Another [Great] one gone...."

I'm posting twice today (okay, this week) because I didn't get around to yesterday, and this is one that needs to be said.

I've never met Michael Crichton. And I'm really, really going to miss him.

I can still remember lying in bed in Avery Dorm at Lees-McRae College with this new book, AIRFRAME, thinking, "I'll read for an hour or so, then go to bed...early class tomorrow."

Noon the next day, I finished it and went, "WOW." I mean, the building of airplanes? Seriously, the man can make the politics behind the building of airplanes so entertaining that I physically can't put the book down???

Yep. And now he's gone.

I read over in the comments section of The Kill Zone that Mr. Joe Moore believed the things in JURASSIC PARK were possible after reading the book. I'm here to tell you, Mr. Crichton has me convinced, thoroughly, that Global Warming is never going to be the issue Gore makes it out to be, simply because of STATE OF FEAR.

Yes, he's that good a writer. Don't believe me? Fine.

Read it. You'll see. Farewell Mr. Crichton, Ms. Flinn, and Mr. Hillerman. The mystery community is hurting from the recent loss of you three, but we will miss you and all of your unrealized/gone-too-soon works most of all. God Bless.

"Where have you gone...?"

The mystery community has lost a great man. Tony Hillerman died yesterday at the age of 83. If you've never read a Hillerman novel, they are unlike any other in the wonderful depiction of modern New Mexico, Utah, and the colorful characters so easy to get to know and cherish.

I haven't read a lot of Hillerman, because like a fool I always figured, "Ah, I'll get around to it", just knowing there was always at least the chance there might be more. Now that can never be, and we are all the worse for it. A terrific mystery writer, gone.

God bless and God speed, Mr. Hillerman.

"Where the Hell did that come from?"

All writers (yep, even the unpublished ones) get asked--when it's discovered they are a writer--the same question: "So, like, where do you get your ideas from?" The answer is always a variation (sometimes nice, sometimes smartassed) of the same word:
Everywhere.


Still, as a reader I think people are maybe looking for something more specific. Stephen King once wrote about the "What If?" questions he comes up with, and the books are his answers. I think he talked about it in ON WRITING, but I'm not positive. Anyway, I'm betting that that's closer to what readers are actually asking about--and any readers out there can feel free to correct me in the comments if they disagree.


So I figured this might be a good chance to get people talking specifically about individual stories and books, and from whence the ideas for them came. A good example would be Michael Connelly's THE OVERLOOK. When he was in Greensboro on tour for it, he said that a story he'd been told about radioactive material in North Carolina being stolen had led him to Bosch's next case, and if you've read THE OVERLOOK you see where that wound up.

If you haven't, do it. Now. No seriously, like walk out of your job and go buy the book.

Okay, not really. Wait til after work.

Anyway...I guess I'll start, it being my blog and all that good stuff. My book started with an idea for a villain, a guy who wanted to deflect suspicion from what he was really doing by taking advantage of the recent fears about religious extremism. I thought, "what better way to cover your tracks than to play on what EVERYONE seems afraid of these days. And after the worldwide lunacy over Salman Rushdie, and later Dan Brown, I figured why not create a writer who ALSO likes to play on those emotions (unlike these two, who I've never met, my writer is an unsympathetic jerk about it). This creates conflict for the reader, because he or she is unsure if:
A) the writer is the villain
B) they're okay with him being the villain
C) the writer is the next victim, and
D) they want him saved if he is

I love it when authors twist me up in moral knots like that, so I figured there had to be some readers who loved things like that which made them think beyond the work itself. If I'm wrong, well I guess it'll have to be the next book that starts my career rolling.
Or the one after that, or the one after that, or....

So tell me, if you're a reader, what do you REALLY mean when you ask where ideas come from? And if you're an author, can you pinpoint anything more specific regarding the idea or the original impetus for writing any particular novel or story?

"But where should I put you?"

Well, I still haven't come down from the high of finding out I would have a short story published for the first time. That said, my novel is still a WIP, and I have no idea if it will be the one to break through, or if that'll be my next (or the one after, or the one after, or...). So I am really asking this next question moreso than answering it:

Where does a mystery writer want his or her books shelved?

I know the smartass answer, but I'm being serious. Last week I went into B&N and picked up a DVD. I was hoping to get one for my wife to use in her class, but it hadn't come in yet. Anyway, while I was there I had a few minutes to kill so I thought I'd check the shelves for some of the writers I'd like to eventually mimic. I looked primarily for members of the Murderati, along with some other up-and-comers, and I found something interesting...

They were in a couple of different locations. Some were exclusively in the NEW FICTION section, some were with mystery, and some were with general fiction.

This got me to thinking, "where is it better to be shelved?"

My first thought would be mystery, because a mystery-lover would expect to find a mystery- (and even a thriller-) writer there. But Now I'm not so sure. Because names like JT Ellison and Brett Battles were in general fiction, along with the likes of Jeffery Deaver and Michael Connelly. Now I'm well aware that Mr. Battles's books could be considered thrillers, but Ms. Ellison's seem like mysteries to me, as do most of Mr. Deaver's and Mr. Connelly's.

So does being housed in General Fiction mean you've "really made it"???

I can't imagine that's true, because Sue Grafton definitely has, and she and Janet Evanovich both have sweeping sections on the MYSTERY shelf.

So published authors, I'm honestly asking here:

Where would you rather be placed (other than front and center with a placard that says, "BUY ME!" like J.A. Konrath's latest book trailer)?

Originally posted October 13, 2008: Mystery, Thriller, Suspense, some variation of all three???

I've recently seen a lot of different people blogging about genre. For me, this focuses on mystery/suspense/thriller. The other day, Nathan Bransford blogged about his definition of each, and it got me thinking...what would my current WIP be?

See, based on Mr. Bransford's definitions, my work would kind of cover two of the three. It's got action (has to, or it would put me to sleep, and I'm writing it!).

It also has more than one mystery. So is it a mystery, or a thriller?

Well, what would you call some of Patterson's early Alex Cross works?

What about Jeffery Deaver's stuff, like Garden of Beasts or The Sleeping Doll?

How about Crais's The Watchmen, or Zoe Sharp's Charlie Fox novels, or Brett Battles's Quinn novels, or fellow North Carolinian J.D. Rhoades's Jack Keller series?

Yes, I realize it's incredibly egotistical to bring up these names in conjunction with my own unpublished stuff, but these are the people I idolize. I think you have to look at your work and try to see it next to the top caliber authors out there. So you know what? I would call most all of these mystery/thrillers. And that's my WIP as well (unless/until an agent tells me otherwise, that is).

What about you? Does your work cross more than one genre or subgenre? Have a romantic suspense, or a mystery/sci-fi?

Originally posted Oct. 7, 2008: CELEBRATION TIME, BABY!!!

Today the sun is shining just a little bit brighter. The air smells a little bit sweeter. And I feel a little taller...5'9" here I come!!

Why?Because I got an email last night from Spinetingler Magazine. Apparently the guest editor (Jack Getze, and a HUGE thank you to you, sir!) -- who is now a permanent editor, I've been informed -- read my submission and liked it. He wants it for the Winter 2009 edition of the magazine. For those of you unfamiliar with Spinetingler, it's a suspense fiction magazine where some pretty darn good writers have logged early tales. Names like Bill Cameron, J.D. Rhoades, and J.T. Ellison. And they're giving me a shot.

WOW!!!

Okay, okay, sorry. I just had to get a little excitement out there. It's just such a relief when someone who's never met you essentially says, "yep, you can do this." My wish for every single person who reads this is to find that same sense of encouragement and support in their chosen profession.

Have a great day, and may the sun shine a little brighter for you!!Oh, for a look at the other side of the coin, they're discussing bad reviews over at Murderati. Check it out!