"Doc, I'll get enough sleep when I'm dead."

I've been told by several authors that one of the greatest compliments you can give them is to let them know their book cost you a night of sleep. Think about how much that must mean to them. The story and characters were so engaging that you literally couldn't put the book down.

Lately I've had a couple of those. I let Zoe Sharp know that her FIRST DROP had me dragging the next day. I emailed Michelle Gagnon to let her know my students could tell I hadn't slept a week because of BONEYARD. Though I haven't told him yet, Brett Battles owes my in-laws an apology, because I was a weary, miserable jackass for a wedding we attended because of THE CLEANER.

And Marcus Sakey? Yeah, my students would like to know why my handwriting is so tough to read on the work I gave back last week. I'm sending all of their complaints to you buddy. (If any of you haven't read THE BLADE ITSELF, you need to. Today. Now if possible.)

I can only hope my stories will one day do the same (and I'll gleefully apologize to anyone who has such a "complaint" about any of them).

So spill it. What books have cost you a night of repose? Which authors had you looking for an injection of adrenaline the next day to keep you awake at the wheel?

And, did you contact them to tell them? If not, you might want to think about that. It's been my experience that authors are very friendly and really cool when they find out their book was too good for you to put down. And why wouldn't you want to spread good feelings like that around?

"But where should I put you?"

Well, I still haven't come down from the high of finding out I would have a short story published for the first time. That said, my novel is still a WIP, and I have no idea if it will be the one to break through, or if that'll be my next (or the one after, or the one after, or...). So I am really asking this next question moreso than answering it:

Where does a mystery writer want his or her books shelved?

I know the smartass answer, but I'm being serious. Last week I went into B&N and picked up a DVD. I was hoping to get one for my wife to use in her class, but it hadn't come in yet. Anyway, while I was there I had a few minutes to kill so I thought I'd check the shelves for some of the writers I'd like to eventually mimic. I looked primarily for members of the Murderati, along with some other up-and-comers, and I found something interesting...

They were in a couple of different locations. Some were exclusively in the NEW FICTION section, some were with mystery, and some were with general fiction.

This got me to thinking, "where is it better to be shelved?"

My first thought would be mystery, because a mystery-lover would expect to find a mystery- (and even a thriller-) writer there. But Now I'm not so sure. Because names like JT Ellison and Brett Battles were in general fiction, along with the likes of Jeffery Deaver and Michael Connelly. Now I'm well aware that Mr. Battles's books could be considered thrillers, but Ms. Ellison's seem like mysteries to me, as do most of Mr. Deaver's and Mr. Connelly's.

So does being housed in General Fiction mean you've "really made it"???

I can't imagine that's true, because Sue Grafton definitely has, and she and Janet Evanovich both have sweeping sections on the MYSTERY shelf.

So published authors, I'm honestly asking here:

Where would you rather be placed (other than front and center with a placard that says, "BUY ME!" like J.A. Konrath's latest book trailer)?

Originally posted October 13, 2008: Mystery, Thriller, Suspense, some variation of all three???

I've recently seen a lot of different people blogging about genre. For me, this focuses on mystery/suspense/thriller. The other day, Nathan Bransford blogged about his definition of each, and it got me thinking...what would my current WIP be?

See, based on Mr. Bransford's definitions, my work would kind of cover two of the three. It's got action (has to, or it would put me to sleep, and I'm writing it!).

It also has more than one mystery. So is it a mystery, or a thriller?

Well, what would you call some of Patterson's early Alex Cross works?

What about Jeffery Deaver's stuff, like Garden of Beasts or The Sleeping Doll?

How about Crais's The Watchmen, or Zoe Sharp's Charlie Fox novels, or Brett Battles's Quinn novels, or fellow North Carolinian J.D. Rhoades's Jack Keller series?

Yes, I realize it's incredibly egotistical to bring up these names in conjunction with my own unpublished stuff, but these are the people I idolize. I think you have to look at your work and try to see it next to the top caliber authors out there. So you know what? I would call most all of these mystery/thrillers. And that's my WIP as well (unless/until an agent tells me otherwise, that is).

What about you? Does your work cross more than one genre or subgenre? Have a romantic suspense, or a mystery/sci-fi?