Showing posts with label Jack Getze. Show all posts
Showing posts with label Jack Getze. Show all posts

Monday, June 29, 2009

Ti-i-i-ime, is on my side, yes it is....

God has a funny sense of timing, doesn't he? This past week/weekend has been a doozy. My wife had to deal with some pretty serious grief, and I was heartsick both because of it and for her. Then, we get some good news about her father's successful surgery, but the recovery is taking a while. And now, even with her back home for the day, the writing and editing is just dragging. So what happens?


I get another shot in the arm.


"Midnight on the Links", my third published short story, is now available in the newest issue of Spinetingler Magazine. Just found out about it today.


That feeling of "YES!" just never gets old, y'know? Special thanks to Jack Getze and Sandra Ruttan for taking a chance on me, as this was the first story I ever had accepted for publication.


(Oh, and JT? I swear I wrote that story well before I'd read the Killer Year anthology.)


Since I'm just now getting the itch to ramp up my edits and finish this damn book (can't start on the next until this is as good as it can be...that would be unprofessional, even if I REALLY want to start that next one like NOWNOWNOW!!!), I think I'll leave it at a simple question for you guys:

What has given you a shot in the arm (or a kick in the pants) lately?

Tuesday, January 27, 2009

A Hurried, but New, Beginning

I find myself in an interesting position. Due to the snows, today was the last day of exams for the first semester. Tomorrow is the first day of the second semester. I'm also in the editing-the-first-and-fleshing-out-the-premise-for-the-second manuscript stage. Big goings-on, I tell ya. So yeah, we teachers are all a little freaked out because we have no break at all between the two, and I'm even more freaked out with my manuscripts, even though I have no real deadline for them. I just never wanted to be the "I spent five years writing this!" guy.

I imagine that freaked-out feeling must be what it's like when you have book deadlines, on top of editing deadlines, along with putting together a premise for the next book (series or no). Sounds pretty harrowing.

I'd still take it in a heartbeat, but that's not what has me concerned.

How will I handle it when I have those deadlines AND school?

See, here's the thing: most writers I know of, who are the primary family breadwinners, still have their day job. It's widely known that only a precious few have the sales to live on their writing alone. That said, you've got to burn a hell of a lot of midnight oil to essentially work two full-time careers like that.

I worry about whether or not I'll be able to cope, because it's not a matter of choosing what to sacrifice at night when you have stuff to grade. My writing can go at my own pace NOW, because I'm writing to land that first agent/editor/book deal. But once those wheels get rolling, I will still have papers to grade. I am completely in awe of authors who make that work, because I have no idea how I'll do it.

Don't get me wrong, I AM going to find out. I'm just wondering/worrying what it'll be like when I do.

So my question is this:
To published authors - Man, how do you guys and gals do it? (honest answers or pithy comments welcome...Shelby, Getze, I'm looking at you two here...)

To pre-published writers - Am I alone in this, or does anyone else worry about the same thing?

Wednesday, December 17, 2008

"So what's the answer?"

Over on Jack Getze's blog, his main character Austin Carr is debating POV, and the discussion leaned toward the magic-bullet combination that makes a reader forgive the problems a story may have.

Is it Story?

Is it Craft?

Is it Voice?

Or is it D) some variegated combination of all the above, plus more? Now granted, an agent can come and tell us what makes them offer representation, and I'd welcome it. [I'd welcome the offer too, but anyway (grin) ]

I want to know what does it for readers (writers also read, so you guys chime in too). If you're reading a book where the craft is lacking, or the story drags, or the voice is dry, what keeps you in it? What captures you?

I know any one of these things can make you want to toss the book through a wall if it's REALLY poorly done, but what has to be done well enough to help you gloss over the gaffes?