Over on Jack Getze's blog, his main character Austin Carr is debating POV, and the discussion leaned toward the magic-bullet combination that makes a reader forgive the problems a story may have.
Is it Story?
Is it Craft?
Is it Voice?
Or is it D) some variegated combination of all the above, plus more? Now granted, an agent can come and tell us what makes them offer representation, and I'd welcome it. [I'd welcome the offer too, but anyway (grin) ]
I want to know what does it for readers (writers also read, so you guys chime in too). If you're reading a book where the craft is lacking, or the story drags, or the voice is dry, what keeps you in it? What captures you?
I know any one of these things can make you want to toss the book through a wall if it's REALLY poorly done, but what has to be done well enough to help you gloss over the gaffes?
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