Anyway, over at the Kill Zone, the discussion sparked by Kathryn Lilley deals with truly evil villains and how to write them. And as several people point out in the comments, there's the old saying that the villain is the hero of his or her own journey.
That's great, but it isn't nuts-and-bolts enough for some people.
Which got me thinking about my own antagonists. I always approached the antagonist's motivation by asking myself, "what would it take to make me do this?"
As far as killing, that's easy. Mess with my family and you'll be looking over your shoulder the rest of your life, 'cause somehow some way, I'm coming for ya.
But that doesn't cover the REALLY bad guys. The ones who enjoy watching people suffer. I mean come on, I can't stand to watch an animal in pain without feeling for it...and I'm talking about a buzzard or an alligator, nevermind the cute ones like dogs and the occasional cat. So how do I get inside the head of a person who for example, finds sexual release in the death-throes of a human being, or the person who can only quiet their own inner demons by forcing someone else to scream until they choke on their own blood? Those people are sick, and I'm sorry, but I can't think of anything that could ever "make me do that."
So where do you go now, as a writer?
Well, I found something that makes sense to me, and has worked pretty well so far. Don't think about what it would take to make you do that, because a lot of the time the answer will be, "nothing on this earth."
Instead, think what might allow you to love that person.
Yep. What could possibly have happened to them, or what 'other side' of them could be there that could make you love that person, either in a spousal way or at least a familial, cousin-ish way?
Because that will make them human, and not JUST a monster. The characters who do the kinds of things I mentioned above are monsters, make no mistake. Justify it however they might, as much a hero as they may believe themselves, they are monsters. But what makes them human will make them conceivable and engaging in your fiction. I firmly believe that, pre-pubbed though I may be. And it has worked for me so far.
The example I gave at Kill Zone, and the best one I can think of here, is the backstory Thomas Harris gave for Francis Dollarhyde in RED DRAGON. When he, as an adult, sat down to pee 'like a good boy' because that's what his grandmother had taught him and because of the way she had tortured/treated him, it made sense. He was still a cruel moster, but he was also a human one.
Oh, and can you guess which of these is the one mentioned in the book, vs. which one is shown in the film?
One is the The Great Red Dragon and the Woman Clothed in Sun, the other is The Great Red Dragon and the Woman Clothed with the Sun.
I always wondered if Harris had switched them in his mind, if the copyeditor had put in the wrong title (because they are so ridiculously similar), or if the Hollywood people had gotten it mixed up.
So what about you guys? What examples do you have of reasons to love a character who is, in all other respects, a monster?